ARTIST | Cam Wong |
ARTWORK TITLE (CHI) | 斷章 |
ARTWORK TITLE (ENG) | An isolated chapter |
MEDIA | etching ink on paper 15 x 15 cm, 425 prints Scroll: 2 pieces 23 x 3200 cm each copper plate: 35 x 35 x 5 cm framed |
YEAR | 2013 |
DIMENSION | 0.00cm x 0.00cm x 0.00cm x 0.00cm (L x W x H x D) |
PERSONAL / GROUP WORK | Personal work |
ARTISTIC PRACTICE |
Printmaking Mixed Media |
ARTWORK DESCRIPTION (ENG) |
Printed and polished, printed and polished, printed and polished…until all the traces disappeared. The plate went back to its starting point, smooth and shiny.
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ARTWORK DESCRIPTION (CHI) (within to 1000 Characters/ please begin with http:// for artwork website link) |
將銅版印一次,打磨一次,印一次,打磨一次,印一次,直至銅版被我打磨至光滑,所有痕跡消失掉。它回到起點。
『四組版印的作品顯現駐澳門藝術家黃麗茵對生命的入微觀察。 黃氏的銅版畫由簡單的幾何形狀組成,紀錄著時間的流逝。「斷章」,也就是展覽名稱的由來,是一幅三米乘以三米的裝置,由425幅如出一轍的銅印版畫所組成。經過辛勞的工序 - 墨印、擠壓與拋光,銅片上的刻紋慢慢地變得平滑,紙上的圖案並隨著每一次的壓印漸漸淡化。 這種懇切的創作手法在某層次上是藝術家的自我訓練,重複的動作為冥想設下步伐。版畫中的細微差別與持續變遷的世事相互見証和呼應;圖案的逐步消失卻矛盾地成為「存在」的一項提示。這個領悟亦呼應著黃氏對浮生的浪漫觀。黃氏完成的作品既是一系列對生活的體驗,也是一份充滿詩意的永恆展示。她的作品創造另類空間,讓觀眾停下來思考。』 摘自 《斷章﹣黃麗茵個人展 》新聞稿,香港安全口畫廊 |
SELECTED EXHIBITION(S) (ENG) |
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AWARD(S) | |
TAGS | “copper plate", "polished", "etching", "disappearance", "long scroll" |
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